Back in the year 2000, at the age of about fourteen, I was deep in the midst of a pretty thorough obsession with the band System Of A Down. I had t-shirts and posters, my band did a number of SOAD cover songs and, most challenging of all for my teenage fandom, I tracked down every single demo song, B-side and bonus track I could. A tall task when the internet was still in its early days. As a result I bought an album of metal and hip-hop collaborations and a couple of film soundtracks on CD, one of which was for Dee Snider’s Strangeland. So nearly fifteen years later, as I crawl my way towards my thirties, I finally got around to watching the film which that album accompanies.
